Who I am
I’m an illustrator and tattoo artist with a deep appreciation for detail, nostalgia, and the beauty in everyday life. My work is a mix of realism and warmth, capturing familiar moments and objects in a way that feels fresh and inviting. Whether I’m illustrating architecture, nature, or lifestyle scenes, I focus on creating images that connect with people and tell a story.
My experience
My background as a tattoo artist has shaped my approach to illustration—working with precision, storytelling, and a deep connection to the visual world. Over the years, I’ve explored different mediums and techniques, always looking for new ways to bring a sense of life and personality into my work. I’m currently focused on editorial, licensing, and advertising, creating illustrations that enhance storytelling and brand identity.








Let's collaborate
I’m excited to expand my work into illustration and bring my perspective to editorial, licensing, and advertising projects. With a strong background in art and design, I approach each piece with attention to detail, storytelling, and a deep connection to the subject. I’m looking forward to collaborating with brands, publishers, and creative teams to develop meaningful visuals.
If you’re interested in working together, feel free to reach out! You can contact me at info@tatobrie.com or explore more of my work.
What I draw
My illustrations explore a range of subjects, from architecture with character and history to landscapes that capture a distinct mood. I’m drawn to the details of everyday life, whether it’s familiar objects seen from a fresh perspective or simple moments that reflect human connection. Nature also plays a big role in my work, from plants and trees to organic elements that add depth and texture. Portraits are another key focus, where expression and detail bring each subject to life. No matter the theme, I aim to create illustrations that feel atmospheric, carefully considering light, texture, and composition to make them adaptable across different industries.
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